Director Lowthorpe is very good at emphasizing the contrast between the child Loll playing soldiers with a piece of wood and a colander on his head, and the genuine fear of deserter James (Billy Howle) as he tries to conceal himself from the military police. Life might have been idyllic for the young Loll, but uncomfortable reality keeps breaking in. In one climactic sequence Spadge Hopkins (Jack Harris) picks the teacher up and places her on the desk in front of the class to almost universal acclaim. On the other hand the class discover some kind of strength in community, especially when it comes to rebelling against sadistic teacher Miss Buckley (Sarah Sweeney). The adolescent Loll discovers this to his cost in school when his nascent romantic feelings become a subject for class ribaldry. Everyone knows everyone else, which has its disadvantages as well as its advantages. This CIDER WITH ROSIE worked hard to recreate life in a small village in which everyone 'looked after their own,' as the adult Lee put it.

The unifying element between the two narratives was Annie, Laurie's mother (Samantha Morton), charged with the responsibility of bringing up a large family on her own. The narrative oscillates between the middle of the First World War when the young Lol (Georgie Smith) goes to school for the first time and tries to respond to the events around him and the postwar era when the older Loll (Archie Cox) copes with adolescence and his sexual feelings for Rosie (Ruby Ashbourne Serkis).

The adult Laurie Lee (Timothy Spall) read extracts from the source-text in voice-over, setting the story in context and explaining why certain incidents were important.

Philippa Lowthorpe's production used a three-level narrative to tell Laurie Lee's charming story of growing up in the First World War and beyond.

Cider with rosie setting